|
Revelation 4 & 5
"After this I looked " (4:1) It is a phrase (sometimes rendered, "after this I saw ") that we will see again as we study this book (7:1, 9; 15:5; 18:1; 19:1). It is important for us to realize that John is not signaling a particular chronology of the future by this statement, as though what happens next will be subsequent to whatever happened in the previous section or chapter. Rather, John is merely telling us the order in which he received these visions. Since the visions will repeat themselves, a failure to appreciate this point will lead us astray. Having heard, in the letters he writes in chapters 2 and 3, that Jesus reigns over the church, John is now given a sight of Jesus reigning in glorious triumph. The sight he sees is accompanied by music and words which have become to the source of the churchs praise ever since. Holy, holy, holy, Lord God Almighty! Reginald Hebers hymn still evokes what is central to our understanding of God. Full of biblical allusions to Isaiah 6 and Revelation 4 as it is, reminds us that the praise we offer to God is filled with a sense of awe and wonder at the majesty of his holy character. The scene has changed from the closed door in Laodicea to an open door that leads to heaven; the mention of a throne (3:21) now leads to a glimpse of one. From the poverty stricken state of the church below, Johns gaze is taken upwards to things as they truly are. The upward glance is often the signal of a new perspective on things. John is being reminded that God is in control of providence. The church may be languishing; Satan may be doing his worst; but God is reigning on high. Two issues change the perspective: location and time. As for location, we are taken up to heaven (4:1), not the life hereafter so much as the life here and now, but from a different perspective. As Paul would remind the Ephesians that they are blessed and seated with Christ in the heavenly realms (Eph. 1:3; 2:6), so John is reminded of a greater reality than that which can be seen and touched. The opening of heaven is a characteristic apocalyptic phenomenon, preparing us for the giving of new (or perhaps forgotten) revelation. How much the church needs to heed it! There is a reality which transcends that which we can see with our physical eyes. As for time, John is shown what must take place after this (4:1), a reference which appears to include within it the whole of history from Johns time to ours and beyond. Since John has already used this phrase already in 1:19, it is reasonable to conclude that its repetition here is signaling a parallel vision: what we see in chapter 4 is true at the same time as what is seen in the previous chapters. Jesus is reigning and surrounded by the praise of angels and departed souls as He writes to the seven churches. Encapsulated in a single vision is a glimpse of the church and the world. God has the whole world in his hands! More particularly, He has the church and her future in His hands! As Jeremiah put it: A glorious throne, exalted from the beginning, is the place of our sanctuary (Jer. 17:12). Chapters 4 and 5 belong together for they establish the same truth, or truths: that God is sovereign, and that God is to be worshipped. Both of these truths are, of course, complementary; they belong together as shoes do upon feet, but fallen mankind has neglected both, and the church has often failed to see the connection between the two. If God is not sovereign, then God is not God the saying goes; and how right it is! From the very beginning, God showed Himself as Creator, sovereignly making all things out of nothing, bringing everything that has existence into being by the Word of His mouth. The story of the Bible is the story of mankind ignoring His kingship, coveting other lords to rule over him, gods that could be manipulated and cajoled to do whatever man desired. Worship, consequently, has been misplaced: man has worshipped creatures rather than the Creator (Rom. 1). The mind of fallen man, as Calvin would put it, is a perpetual factory of idols. In one vision, Revelation now brings into focus the One who truly rules the world. There is a 'throne in heaven with someone sitting on it (4:2). It is not the first of its kind in the Bible. In particular, it shows some similarities to the vision of God in Ezekiel 1, with its depiction of a throne. Here in Revelation 4, Gods dazzling light is portrayed by being bedecked with precious jewels. Several images come together, including that of a rainbow whose beauty is a sign of Gods covenant mercy to a fallen world (4:3; Gen 9:13), and stones (jasper, carnelian, and emerald; 4:3) anticipating an entire list of precious stones in chapter 21 (vv. 19-20). Gods throne is surrounded by twenty-four thrones on which sit twenty-four elders (4:4). The number, twenty four, symbolizes the twelve tribes of Israel and the twelve apostles of the New Testament era ¾ collectively symbolizing the church of all ages. These "elders" are probably angels representing Old and New Testament saints. Some have seen them as representatives of the twenty-four orders of priests in the Old Testament (c.f. 1 Chron 24:4). What is being shown is of great significance. The saints of the Old Testament period, together with those who have died thus far in the New, are not only alive; they are reigning! To saints concerned about loved ones who have been martyred ¾ many of the first readers of Revelation were concerned about their friends and relatives who had died in this way ¾ this vision could only have come as wonderful news. The flashes of lightning, rumblings and peals of thunder (4:5; c.f. 8:5; 11:19; 16:18) are reminiscent of Sinai and the giving of the Law (Exod. 19:16). Before the throne are seven lamps (c.f. Zech 4:2-3, 10) which are said to be "seven spirits of God" (6:5; c.f. Zech 4:6). In the next chapter, a further explanation is given describing these seven spirits as the "seven horns and seven eyes" of the slain Lamb "standing in the center of the throne" (5:6). The Zechariah passages help us understand that what is in view here is that the Lamb (Jesus) sees and knows what is taking place on earth (eyes) and is able to do something about it (horns). By the "seven spirits" (i.e. the Holy Spirit¾ "my Spirit" [Zech 4:6]), God exercises His sovereignty in the earth. The Holy Spirit carries out Gods plan and purpose. The "sea of glass" (4:6, note that it looked like a sea of glass, John is having difficulty describing everything that he saw) brings back memories of the laver of water in the temple used for ceremonial washings, a symbol that continues in New Testament times in baptism. The portrait of heaven in Revelation is modeled after the temple (7:15; 11:19; 14:15, 17; 15:5-16:1; 16:17), and here we are being given a symbolic portrait of their "cleansed" inhabitants. "Nothing impure will ever enter it " (21:27). Some have seen in the "sea of glass" an allusion to the Red Sea, and the power of God that calmed it and brought it into submission; an allusion here, then, of cosmic power. In the center and around the throne were four living creatures (4:6). It is not the churchs worship that is first alluded to, but that of the entire creation. The four "living creatures" are a lion (the noblest), an ox (the strongest), a man (the wisest) and an eagle (the swiftest). Early writers thought these creatures represented the four Gospel writers. However, what is more likely is that these signal the Bibles anticipation of the redemption of the creation itself (Rom. 8:21); there will be a new heaven and a new earth (2 Pet. 3:13). In the background are similar (though not identical) passages in the Old Testament (Isaiah 6 and Ezekiel 1). The entire creation is worshiping God! Heaven is a place of worship. Holiness
Worship is all about our response to God. It is giving Him the praise and adoration that is due to his name. The more we know of God, the more childlike our faith will become. We cannot know too much, nor can this truth ever be over-emphasized. Even John was to get it wrong, worshipping an angel rather God. "Worship God!" the angel said to him (19:10). An important feature of their worship is the allusion to God as "the Lord God Almighty, who was, and is, and is to come" (4:8). There are echoes here of Gods revealed name as the "I AM WHO I AM" given to Moses (Exod 3:14). It is also capable of being rendered "I WILL BE WHO I WIL BE." The name is further identified as "LORD" (Exod 3:15, and capitalized in our English translations). This is Gods covenant name Yahweh (or "Jehovah," as older renditions pronounced it). The worship of heaven is the worship of Yahweh, Israels Covenant LORD. He will be identified as Jesus in the chapter 5, as He has been already (1:8). This is the staggering claim of New Testament revelation: "Jesus Christ is LORD (Yahweh, or Jehovah)" (Phil 2:11). He is given glory (4:9), and worshiped (4:10). "You are worthy, our Lord and God, to receive glory and honor and power, for you created all things, and by your will they were created and have their being" (4:11). The words remind us of Nebuchadnezzars words in Daniel 4:35-37. Gods creative and upholding sovereignty is the basis for worship. The will of God is ultimate. Not mans will, not the churchs will; but the will of God alone. He creates and upholds to fulfill His own purpose. Appreciating this reduces us to size. "To God alone be the glory" was the watchword of the Reformation, and that, because they had understood that God is sovereign. Heaven will eternally reflect this perspective and earthly worship seeks to conform to it. Jesus is Lord The sovereignty of God we see depicted in chapter could seriously call into question Gods mercy. How can sinners ever find their way into Gods presence without the recoil of justice barring them? It is only as we discover that the holiness of God is the holiness of Christ that an answer to this dilemma is forthcoming. God has in Himself (in Christ!) resolved the problem that sin has caused. God has become the Savior of sinners! Such is the problem depicted in the opening of the fifth chapter. A "scroll with writing on both sides and sealed with seven seals" (5:1) is viewed suggesting a comprehensive knowledge of things. The NIV adoption of "scroll" may be right: scrolls written on both sides and sealed in such a way that its contents were successively revealed as each separate seal was broken were known in the first century. Some have noted the similarity with wills or testaments, the contents of which were preserved against alteration by seals. The fact that John uses the verb "to open" rather than ""unroll" (5:2) may suggest a book, rather than a scroll, but the consensus has been for the scroll. But what does the scroll contain? An angel proclaims the dilemma: is there anyone in all of heaven and earth who can break open the seals and peek inside? The allusion is almost certainly to Ezekiel 2:10 where the prophet is shown a similar scroll, on both sides of which were words "of lament and mourning and woe." This would seem to indicate that the scroll contains the judgments of God, rather than, say, the names of the elect (as some have suggested). The fact that as yet these judgments (revealed by the breaking of the seals) have not been revealed (from Johns perspective) argues against the idea that these judgments portray the history that has already happened (as futurists believe). Is anyone able to open these seals? Isaiah had depicted a similar scenario (Isa. 29:11-12). In that instance, Jesus, in the synagogue at Nazareth, had caused a stir by unlocking the meaning of Isaiahs prophecy by saying, "Today , this Scripture has been fulfilled in your hearing" (Luke 4:16-21). Jesus broke the seals and showed us what was inside! Philip asked the Ethiopian, also reading Isaiah, "Do you understand what you read?" Philip pointed him to the Lamb of God and thereby unlocked the seal of Isaiahs suffering servant. What is needed, of course, is a Redeemer, a Mediator, one who can represent God before man, and man before God. The one who unlocks the seals is the Mediator. John makes clear his sovereignty by representing him as standing "in the center of the throne" (5:6). The sovereignty of God is the sovereignty of Christ. At the very point where we have seen the Father in chapter 4, we see the Son in chapter 5. Christ is the focus of all attention, the one with whom every other is enthralled. The paeans of praise rise to Him as they do to God himself, for there is no distinction: the church, the angels, the whole of creation sing His praise and offer Him worship. And why? Because a kingdom has been given to Him. The Lamb is worthy to open the scroll because He has purchased men by His blood. In appearance He looks as though He has been slain (5:9). Through His passion He has "purchased men for God," establishing them us "a kingdom and priests to serve God" (5:9-10). Several things seem to come to the surface:
Songs of Loudest Praise Heaven is preoccupied with the worship of God and of the Lamb (5:14). Three features are worth noting. First, the corporate Amen (5:14). There is something affirming about the Amen. It is an audible response to the truthfulness of all that has been said. According to Justin Martyr, describing mid-second century worship, the "Amen" punctuated the worship. Epeuphémei he called them, "shout in applause." It is the title already given to Jesus (3:14; cf. Isa 65:16). It is the affirmation that Gods "Yes" means "Yes!" and his "No" means "No!" (cf. 2 Cor. 1:20). The church tried using the Greek aleuthinos for a while, but the word means "that which is not false" and didnt ring true. The Greek translation of the Old Testament, much used in the first century, had favored genoito for the Old Testament "Amen" but its would that it were so also rang hollow. So, the church reverted to using the Hebrew Amen like Jewish saints did. Secondly, praying (5:9). No gathering for worship can avoid the suppliants cry to God. Prayers are like "incense" their aroma rising into the nostrils of God like a sweet smelling aroma (cf. 5:8). Thirdly, singing (5:9, 12, 13). Worship sings. When Jesus is viewed in his majestic glory, and his work comprehended in its regal splendor, songs are irrepressible. Five songs in all in these two chapters, the first two to God the Creator, the third and fourth to the Redeemer, and the last one to both Creator and Redeemer together. |
|
|